Orange Tiny Terror
by David Hill on Nov.18, 2009, under Uncategorized
For those of you who have had the chance to check out the Orange Tiny Terror since it has come out, then this article will not be news. The Tiny Terror has been around for around three years and gives the user a great dirty amp sound. Like many Orange amps, users have been less than satisfied with the clean tones, but ultimately many modern players spend more time with the dirty side of their amp anyway. This would fit into the tiny-amp category. It weighs in at 15 watts but has a switch to take it down to seven watts which at least to my ears makes the amp a bit squishier.
For those of us seeking cranked tube tone at low volumes I suggest you look elsewhere. The volumes in this amp are really too loud for apartment dwelling. This would make a great studio tool though. For apartment dwellers the best amp value is still the Zvex nano. Don’t believe me, check out the youtube clips!
I may do a feature on the tiny terror at a later time, but for now I think it’s best to encourage investigation.
Unique visitors to post: 1Fulltone MDV-2
by David Hill on Nov.16, 2009, under Effects, Featured, Modulation, Uncategorized
For those of you familiar with the Deja Vibe line of products that Fulltone has offered the MDV-2 shouldn’t be to big of a shock. For the rest, the MDV-2 is essentially a period-correct Uni-Vibe stand in. There are features and sounds unique to this pedal that really get to the core of what a real univibe can do. Just check out the proguitarshop.com video from youtube.
As is normal, Mike Fuller declined to comment on this story. Fulltone’s history with the Deja-Vibe started with the original Deja Vibe. It was later trumped by the Mini Deja-Vibe. The Deja-Vibe and Mini Deja-Vibe are great clones right down to the matching of original photo resistors and lamps. For those not in the know, Uni-Vibes are an optical phaser. They use photo-resistors and some lamps inside the pedal to actually create the phasing effect. The Dunlop Univibe that is currently manufactured has photo-cells to but they are nothing like the originals since those parts were no longer being made. Fulltone has apparantley started producing NOS parts for these pedals. The Deja Vibe 2 was the first pedal that Fulltone produced that came with a speed control. The original univibe had a speed control that plugged into the box (which was actually about the size of an echoplex). The Deja Vibe 2 somewhat resembled a Morely Wah pedal in that configuration. Early this year the MDV-2 was unveiled to essentially replace the entire Deja Vibe product line. The MDV-2 looks like a Fulltone Clyde wah except for it’s cream colored casing. Under the hood are the electronics of a complete Deja Vibe including all the controls, an LED and some modifications to the Speed Control circuit.
The Deja-Vibe 2 had a switch the user pushed to turn the speed control on or off. The MDV-2 has an ingenious always-off unless rockered slightly forward operation–the best part is Fulltone actually managed to make a true-bypass pedal with this configuration. I’ll spare the lecture on why you might not want true bypass for another article but if you’ve ever built or modded pedals then putting true bypass in a pedal like this would be difficult to say the least.
Most importantly, does the MDV-2 give those watery textures offered by the other Deja-Vibe products and does it come close to the original Uni-Vibe? In a nutshell, Yes. The MDV-2 actually sounds closer then the Dunlop “reissue” and is frankly the best main-stream uni-vibe clone on the market. It is slightly pricey but if you want those tones without the rediculous pricetag and maintenance fees the MDV-2 might just be the ticket. Hell, even Robin Trower, who has depended on a Vibe pedal of some sort has been spotted with each of the Deja-Vibe products at different times. If you know Fulltone’s build quality, it is excellent. The parts are top notch, the boards are easy to work with for repairs and are amongst some of the most reliable designs on the market.
Fulltone MDV-2 at www.fulltone.com
Unique visitors to post: 4How to sell your soul: Alexander Dumble’s 1990’s Contract
by David Hill on Nov.11, 2009, under Uncategorized
I unearthed a copy of the famous Dumble contract. Pricing for these amplifiers is also included and quite frankly I assumed they would be more expensive then they are, granted there has to be a helluva waiting list. Anyway, The contract stipulates that Dumble basically controls your amp even after the purchase. In the Computer hardware world this kind of thing wouldn’t hold up, and I imagine it would end up floundering in court if ever it came to that. For those of you who have doubted how secretive Dumble has been, the proof is in the contract itself. Enjoy!
Alexander Dumble Amplifier Order Form/Contract (outdated)
Unique visitors to post: 61How to Polish a Turd: Understanding & Implementing Guitar Amp Modifications
by David Hill on Nov.09, 2009, under Amplification, Combos, Featured, Heads & Cabinets, Tubes
The Epiphone Valve Junior is one example of an amplifier with a rabid modification community. Players typically modify the circuit, speakers, and even the output transformers to get what some call boutique tone on the cheap.
When I came into possession of my Fender Hot Rod Deluxe I had no idea the difference the custom baffle and two 10″ Eminence Legend Speakers would have. I had never been that big a fan of the stock Hot Rod Deluxe sound but wanted one for the fender clean tones. The thing was monstrous, it could roar with overdrive or sing with a fuzz. I couldn’t help but wonder why the original owner parted with it.
Anyway, I’ve owned my fair share of modifiable amps–particularly the Valve Junior. I have been less then happy with most of those amps with basic circuit mods but I think if you have some major amplifier surgery done you could probably see a noticeable increase in performance. (continue reading…)
Unique visitors to post: 47Emulating a legend: Hughes & Kettner Tube Rotosphere
by David Hill on Nov.04, 2009, under Effects, Modulation

Hughes And Kettner Tube Rotosphere Mk. II
Hughes & Kettner has manufactured the Rotosphere for a few years. The MkII is a minor revision of the original design. The Rotosphere has been discontinued though new ones are available for around $500-$600. This is a steep price but for true Leslie fans who cannot haul their cabinet this could be a God-send.
The pedal features a 12AX7. Like most other tube powered pedals requires a wall-wart AC plug. Tube based pedals can often introduce more noise in the signal but with the right provisions (like a voodoo labs pedal power 2) there should be no problems. The unit features controls for Drive, Level, Rotor Balance, Bypass, Breaker, and speed. In addition to the top-mount controls there is also an impedence switch for matching signal levels to keyboards or guitar. The effect is intended to be used in a stereo rig but has a switch for monorual operation.
The Rotosphere’s breaker control is unique to this pedal. The breaker control effectively simulates stopping the rotary motor, and so slows the rotating speaker effect down until it finally stops. The balance control is something like a tone control controling (if it were real) how much of the signal goes to the driver or the tweeter.
The effect really does a great job of emulating the sound of a Leslie with a stereo guitar rig. There has been discussion regarding the proper placement of stereo amps when utilizing the rotosphere but ultimately the sound is very close to that of a leslie. The pedal even ramps up and slows down when the speed switch is engaged. The addition of the breaker control is a nice addition as well. The AC power is really the only tonal drawback to this pedal. The casing is built very well and the tube is visible from a glass panel. Some users have reported that the tube is hard to get to for replacement but most 12AX7 tubes have a long life. For anyone who truly relies on the rotating speaker sound for their work the Rotosphere might just be the go-to effect pedal.
If you can stomach the cost of admission the Tube Rotosphere gets leslie-like bliss without back-breaking labor!
Unique visitors to post: 21